History
Historic Inspiration
At the turn of the last century there is a curious ox-bow lake in broadcasting history – the theatrophone. The Theatrophone or Electrophone as it was sometimes called was the highlight of the World Exhibition in Paris in 1881 where it connected listeners via telephone to the Paris Opera house and theatres. The idea took off in various forms – transmitting theatre and opera performances in London, Lisbon, Antwerp, Boston, New York, Philadelphia, Chicago. There were also services set up for news, sports, religious worship and language learning in the Hungary, Russia the UK and the US.
As telephony was in it’s infancy it was not widespread, it was the rich who were able to subscribe to these services, having a telephone in their own homes. However there were coin operated public phone booths where those that perhaps couldn’t afford a ticket to enter the performance could listen in via the phone.
I first read about the Theatrophone in a biography of the writer Marcel Proust, who living in Paris, spent most of his time in a darkened room with cork lining to keep sound out writing his masterwork ‘In Search of Lost Time’. He did however let some sound in as he was a théâtrophone subscriber. Proust listened to Debussy’s Pelléas et Mélisande (sung by Scottish soprano Mary Garden) down the telephone.
The era of the theatrophone ended in the 1920s with the spread of radio broadcasting. In today’s telephony culture besides having a chat on the phone, we experience outsourced distant call centres bringing customer services to clients as if they were down the road, the latest hits as ring tones while synthesised voices attempting to communicate train times. We listen to music on hold whether we like it or not and we broadcast in intimate detail our lives down the phone and the train carriage simultaneously for all to hear. Occasionally, at a concert, you see the phones lifted towards the band, not to take a picture but to let one not present participate in the event, for a highly compressed moment at least. Now, of course there is VoIP, free computer to computer calling, keeping long distant relationships alive and extended families in contact with babies all over the world being held up to web cams to wave at distant relatives.
DIAL-A-DIVA celebrates it all.
DIAL-A-DIVA came into existence in 2005 as the result of a Creative Scotland Award (Scottish Arts Council). The first DIAL-A-DIVA event was hosted by the CCA Gallery in Glasgow, December 3rd 2005 and featured an amazing array of vocal talent from every continent and every time zone. See the ARCHIVE link to listen and read more about that event.
Zoë Irvine, Edinburgh, Scotland. April 2007